Trevor Hawkins
Trevor Hawkins's unique aesthetic and appetite for cinema, wildlife and adventure have earned him an EMMY, three Vimeo Staff-Picks, the title "Exceptional Filmmaker" from National Geographic and worldwide acclaim throughout the film, television and commercial industries. Hawkins wore many hats on his first feature film, Lotawana, including writer, director, cinematographer, editor and colorist. He is in-development of his next movies. Twenty years after their genocide, he was hired by the President of Rwanda to create a film to rebrand the country's image to the rest of the world. Although not a hunter himself, Hawkins is credited for dramatically reforming the creative and story-telling standards of the hunting industry with the hit show, Heartland Bowhunter. Hawkins founded the production company, MAMMOTH, in 2010. RW2 represents his commercial work and FilmSupply represents his licensing. Beyond feature films and commercials, he creates documentaries, tourism and wildlife videos, TV shows and photography. He's a life-long resident of Lake Lotawana, MO and can be found there sailing, skateboarding, wakeboarding, rehabilitating wildlife with his family, working on his cabin and "gettin wet 'n wild with the other lake rats."
Trevor Hayes
Trevor Hayes is known for The Handmaid's Tale (2017), The Girlfriend Experience (2016) and The Wild Hunt (2009).
Trevor Hinton
Trevor Hinton is an actor, known for The Mysterious Benedict Society (2021), Hitler's Last Stand (2018) and Open for Submissions (2019).
Trevor Holder
Trevor Holder is known for Father of Nations (2022), The Assistant and Project Burn (2017).
Trevor Hollen
Trevor Hollen is known for Eating Cars (2021).
Trevor Holmes
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Trevor Horne
Trevor Horne is Canadian actor and athlete. He was born in Peterborough, Ontario. The son of Colleen and Robert who are both entrepreneurs and business owners. He has two siblings, Christie and Taylor. He grew up in Vancouver and Toronto where he found passions for hockey, and film. He played at the junior level in hockey, and he has been pursuing acting and filmmaking since 2010. When he has free time you can catch him snowboarding, surfing, playing golf and travelling.
Trevor Howard
The son of an insurance underwriter who represented Lloyd's of London in Ceylon, Trevor Wallace Howard-Smith was born in Margate, Kent. He spent his early childhood globetrotting with his mother, frequently left in the care of strangers. After attending private school he went on to study drama at RADA (due to his mother's insistence) and was voted best in his class following a performance in "Much Ado About Nothing". Spurning a Hollywood contract with Paramount he acted on the West End stage and with the Shakespeare Memorial Theatre in Stratford-upon-Avon from the mid-1930s, specialising in classical plays ranging from "Hamlet" and "Coriolanus" to "French without Tears", by Terence Rattigan. Howard was initially turned down for military service by both the RAF and the British Army but shortage of manpower led to his being called up in 1940 to serve as a second lieutenant with the Army Signal Corps. However, he neither saw action nor accumulated the illustrious wartime record (including winning the Military Cross) invented for him by his publicists. A 2001 biography by Terence Pettigrew claimed to have unearthed files from his war record which alleged that he was dismissed from service in 1943 due to 'mental instability'. Ironically, on screen, the actor was often cast as solid, unflappable British officers, perhaps reflecting his own personal credo of always feeling best when impersonating someone else. Howard's career in films began quietly with small roles in The Way Ahead (1944) and The Way to the Stars (1945). He unexpectedly leapt to stardom in just his third outing as the stoic, decent Dr. Alec Harvey in David Lean's melancholic story of middle-class wartime romance, Brief Encounter (1945). Howard's mannered performance perfectly suited the required stiff-upper-lip mood of the film, his intensity and projected integrity more than compensating for his average looks. That 'jolly decent chap' persona continued on in another 'woman's picture', The Passionate Friends (1949), but Howard soon found his niche in more determined, worldly roles. He later admitted that "for years I was practically hounded by my first part in Brief Encounter. I loved the film, mind you, but the role wasn't me, at all" (Ottawa Citizen, February 17 1961). As a screen actor, Howard came of age in crime thrillers and war films, delivering his first genuine tour de force performance as a battle-hardened, cynical ex-pilot caught up in the world of post-war black market racketeering in They Made Me a Fugitive (1947). His efficient, by-the-book intelligence officer, Major Calloway, in Carol Reed's The Third Man (1949) put him firmly on the map as a star character player. Rasping-voiced and becoming increasingly craggy as the years went by, Howard contrasted archetypal authoritarians (seasoned army veteran Captain Thomson of The Cockleshell Heroes (1955), Captain William Bligh in the remake of Mutiny on the Bounty (1962), Lord Cardigan in The Charge of the Light Brigade (1968)) with weaklings (best exemplified by morally corrupt, degenerate expatriate trader Peter Willems in Outcast of the Islands (1951) -- arguably one of Howard's finest performances); sympathetic victims (colonial cop Scobie, tormented by religious guilt in The Heart of the Matter (1953)) and obsessive, driven eccentrics (crusading elephant preservationist Morel in The Roots of Heaven (1958), the alcoholic, haunted Sir Henry at Rawlinson End (1980), and the weird Russian recluse of Les années lumière (1981)). In the midst of angst-ridden heroes, drunken clerics and assorted historical characters, ranging from Napoleon Bonaparte to Sir Isaac Newton, Howard even essayed a Cheyenne warrior returning from the dead to defend his family in Windwalker (1980). Remarkably, though he took on a score of eminently forgettable projects, it is difficult to fault a single one of his performances. Throughout his entire career he was never out of favour with audiences and never out of work. As becoming one of the most British of actors, Howard was an ardent cricket supporter, member of the prestigious Marylebone Cricket Club. He insisted on having a clause inserted in his contracts which allowed him leave from filming to attend test matches. A rather solitary man, he had few other hobbies (except, perhaps, a fondness for alcohol, which likely contributed to his death at the age of 74) and was reputedly modest about his accomplishments as an actor. He once declared "we don't have the Method School of acting in England. We simply read the script, let it seep in, then go put on whiskers - and do it" (New York Times, January 8 1988).
Trevor J. Blank
Trevor J. Blank is known for Wrinkles the Clown (2019) and Beware the Slenderman (2016).
Trevor Jackson
Trevor Jackson is an actor and director, known for Superfly (2018), Grown-ish (2018) and Burning Sands (2017).