Takeru Satoh
Takeru Satoh was born on March 21, 1989 in Saitama, Japan. He is an actor, known for Rurôni Kenshin: Meiji kenkaku roman tan (2012), Rurôni Kenshin: Densetsu no saigo-hen (2014) and Rurôni Kenshin: Kyôto taika-hen (2014).
Takeru Tanabe
Takeru Tanabe is known for Tough as Nails (2020).
Takesh Singh
Takesh Singh is known for The Tashkent Files (2019), Gehraiyaan (2022) and Rejection: The Fatty Series (2012).
Takeshi Aono
Takeshi Aono was born on June 19, 1936 in Asahikawa, Hokkaido, Japan. He was an actor, known for Jûbê ninpûchô (1993), Dairantô Sumasshu Burazâzu ekkusu (2008) and Saraba Uchû Senkan Yamato: Ai no Senshitachi (1978). He died on April 9, 2012 in Hachiôji, Tokyo, Japan.
Takeshi Furusawa
Takeshi Furusawa is a director and writer, known for Tawawana kimochi: Zenbu yatchaou (2019), Abekku panchi (2011) and Rûmumeito (2013).
Takeshi Furuta
Takeshi Furuta is known for Judgment (2018), 428: Fûsa sareta Shibuya de (2008) and Haikyu!! (2014).
Takeshi Hayakawa
Takeshi Hayakawa is known for Super Mario Galaxy 2 (2010), Sûpâ Mario 3D rando (2011) and Super Mario Galaxy (2007).
Takeshi Iwata
Takeshi Iwata is known for Pacific Rim: The Black (2021).
Takeshi Kaga
Takeshi Kaga was born in 1950 in Kanazawa City, Japan. At the age of 7, he joined the Kanazawa city boys choir, which began his life-long interest in music and the theatre. At the age of 22, he joined the SHIKI musical company, one of the most popular musical companies in Japan. Kaga became the first Japanese to perform as Tony in "West Side Story", the first Japanese Jesus in "Jesus Christ Superstar" (1973), and the first to play Jean ValJean in "Les Miserables". He left SHIKI in 1980 to focus on his film and TV work, but returned to the theatre in 2000 in "Macbeth", and in "Jeckyll and Hyde" in 2001.
Takeshi Kaneshiro
The 1/2 Taiwanese and 1/2 Japanese Takeshi Kaneshiro may have started out as a puerile teen idol in the Chinese entertainment scene, but he's since become a proper film star in his own right. Whether by his own design or not, the boyishness that marked his first steps into showbiz has evolved into a cool, somewhat reticent demeanor that has now become his trademark. Despite being effortlessly good-looking, he chooses to strike a sometimes uneasy balance between the commercially pleasing and the quirky in his choice of film roles -- a move that's unusual for Asian leading men. But whether he's the faithful lover in the Japanese AIDS drama Kamisama mousukoshi dake (1998), the canned-pineapple-eating cop in Chung Hing sam lam (1994) or awkward in his role in Misty (1996), a remake of Akira Kurosawa's Rashômon (1950), Asian audiences love his style. Other memorable roles include his turn as a lovelorn student in Sam dung (1999), an angel in Fan yi cho (2000) and the leader of a trio of robbers in Supêsutoraberâzu (2000). There hasn't been an Asian actor quite as versatile as Kaneshiro, who is able to straddle the Hong Kong, Taiwan, and Japanese film industries because of his proficiency in various languages. Still, one wonders if the reason why he's so sought after is because he is so elusive. No one really knows what he does outside of film commitments, and his reluctance towards being in the spotlight is legendary.